The fiery New Year’s Horse Year has passed, and the B-year-old, bathed in Ning and serene, is coming cheerfully. How our ancestors made beautiful art about sheep, you may wish to explore and discover in the museum.
The Shanghai Museum and the National Museum’s “Sheep†collection are just a part of the reporter’s collection. The readers can go to the museum to “count the sheep†during the Spring Festival.
Shangbo Guobo's two "four sheep" heavyweights
Two sheep-themed bronzes from the Shanghai Museum and the National Museum are well worth a visit.
"The Four Sheeps" was produced in the late Shang Dynasty (the Shanghai Museum), which is 38.8 cm high and weighs 1.4 kg. Our reporter saw in the exhibition hall of the Shanghai Museum that four sheep heads were cast on the shoulders of this object, so it was named the first of the four sheep.ç“¿ is a kind of wine ware. The most striking decoration is the four high-relief sheep's heads on the shoulders, the horns are curved, and the eyes are exaggerated in art, prominent and striking. The head of the sheep is cast by two casting methods. It is first cast into the main body of the dragonfly. The holes are reserved on the shoulders, and then the ceramic head is cast into the head of the sheep on the hole. Therefore, some patterns on the shoulders are covered by the head of the sheep. The dragon's head is imaged on both sides of the sheep's head. The shape of the sheep is more abstract, and the part of the horn is more realistic, but the whole is extremely beautiful, just like four beautiful sheep.
The bronze "Si Yang Shou" can be taken home. The Shanghai Museum Art Center has made this famous bronze ware into a derivative. This beautiful DIY origami is based on the shape and ornamentation of the bronze ware of the Year of the Sheep. The steps of cutting, pleating, plugging, etc. are assembled. After completion, it becomes a unique year of the goat ornament. The candle light can also be placed in the middle. The spring node is very beautiful, and it is a fun thing for the children to be a gift.
Unearthed in Ningxiang, Hunan Province in 1938, the "Siyang Fangzun" (collected by the National Museum of China) is the most indispensable part of ancient Chinese artifacts with sheep as a decorative element. This art treasure of the Shang Dynasty, the shoulders of each side cast a body of a horned sheep, the image is quiet and majestic. The shape of the animal and the animal image are seamless, the shape is strong and the casting is exquisite. It can be called the extremely fine work in the late Bronze of the Shang Dynasty. It is not only beautiful in shape, but also vivid in its depiction. It is even more impressive when it is lost and lost. The statue was unearthed in the troubled times in 1938. It was intercepted by the local government at the time before the relics were resold by the local merchants. Then it was bombarded in the way of avoiding the Japanese-Japanese war. More than 20 pieces were sleeping in the bank warehouse and were unknown. After more than ten years of disappearing, he was fortunately interviewed and repaired, and he was born again.
Qianlong decreed to use "Sanyang Kaitai"
The Shanghai Museum has a Qingyangguang·Pastel Sanyang Bowl. This cultural relic comes from the official kiln, and it is known as the “Da Qing Daoguangian Systemâ€. The pastel Sanyang Kaitai Bowl began in Qianlong, but the people who passed the world were mostly Daoguang Royal Kiln products. Emperor Qianlong once had the intention to use the "Sanyang Kaitai" utensils during the Mid-Autumn Festival. Therefore, the theme bowl is the tribute of the imperial kiln in the early spring, with the blessing of winter and spring, and the yin and yang. This bowl has three white sheep strolling through the peony peony, and there is a plum blossom. The other side of the poem: "Sweet twigs and beeswax, pearls and corals", the "pre-spring", "color", "Xiangqing" three-party blush. According to this three-print, it only appeared on the plaques of Yongzheng and Qianlong. Exquisitely review this light bowl, in addition to beautifully painted, the peony flower part is painted with thick blush, which is quite colorful. Therefore, the grade of this bowl is above the general Daoguangguan kiln.
Shangbo is also a Tibetan bowl of Jiajing Jingdezhen kiln blue and white sylvestris plum three sheep figure bowl, in the style of Yang bell, sputum outside the mouth, deep abdomen, short circle foot. Blue and white inside and outside, the mouth is decorated with brocades, the bowl heart draws a unicorn, the outside draws three sheep, the three sheep look different, one sheep stands on the front, one side of the sheep is walking, and one sheep looks back. The three sheep are lined with pine bamboo plum and willow, banana, and take the meaning of Sanyang Kaitai. The bowl is diced, the enamel is yellow and the white glaze is rich and green. The blue pattern sieve is novel, the color is rich and not dizzy, which is typical of Jiajing. At the end, there are blue and white double-circle "Da Ming Jia Jing Nian" six-character script.
According to experts from the Shanghai Museum, sheep is one of the earliest animals to be hunted and domesticated. It occupies a very important position in the economic life of the primitive society and is therefore worshipped by the primitive people in many parts of the world. In the archaeological remains of the Stone Age in China, many sheep also became traces of totems. At the Ligang ruins in Xinzheng, Henan, the magnetic mountain ruins in Wu'an, Hebei, and the Hemudu ruins in Yuyao, Zhejiang, the Taoyang sheep were unearthed. These terracotta sheep were vividly vivid, reflecting the animal worship consciousness of the ancient people. In the Neolithic period, the painted pottery with the pattern of sheep was also found on the painted pottery unearthed from the Banpo ruins of the Yangshao culture. There is also a pattern of horns on the Xindian culture pottery pot unearthed in the border wall village of Minhe County, Qinghai. Entering the Shang and Zhou dynasties, the relationship between man and sheep is closer. A large number of bronzes and jade articles with sheep-shaped elements were unearthed in the Yin Ruins. Some bronzes are also engraved with a sheep-shaped emblem. Sheep head and horn pattern were cast on many bronzes.
The folks have the custom of “Sanyang Kaitai†as the auspicious language of the new beginning of the year. Kaitai expresses auspicious prosperity, and because “yang†is the same as “yangâ€, folk painting often draws three sheep for good luck and everything is updated. meteorological.
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