Exploring the wedding jewellery culture of various countries

On the wedding hall, there are glittering wedding jewels, which not only prove the true love, but also the epitome of a national culture, the exotic Egyptian trend, the warm and shining western style, the implicit and restrained oriental temperament, the wedding of different regional cultures. Jewelry is amazing in the world, together to explain the love of the world, and pass on the best wishes of a country and a family from generation to generation.

National wedding jewelry culture

French romance is always the center of love

In France, do you think that France is inseparable from romance and more inseparable from jewelry? If the bride and groom have family-made jewels, then they will be passed on to the newcomers, and the jewels that have been given the best wishes will continue to pass on the good ideas from generation to generation. For the new generation of French people are more inclined to order wedding rings, the final custom design must be treasured together with the ring, as a witness of their romantic love.

National wedding jewelry culture

Greek religion leads the mainstream of marriage customs

As the birthplace of European jewellery, the choice of wedding rings in Greek weddings is still very traditional. The ancient patterns such as olive branches and laurels, which are exquisitely carved, can instantly recognize the Greek style, and the inside of each ring is also engraved. The name of the lover. Since many Greeks are Orthodox Christians, their traditions are differently worn on the right hand, while in other countries they are usually worn on the left hand!

National wedding jewelry culture

China Jinyu Mantang is the most traditional

The most traditional Chinese wedding jewellery requires a pair of golden flowers (簪), a pair of gold rings (bangles), and a pair of gold rings. In Hong Kong, which still follows the old customs of Guangdong, the husband’s family must present 9 pieces of dragon and phoenix bracelets and gold pendants to the bride. The weight should also be a multiple of 9, taking the meaning of "new marriage for a long time." In the northwest region, the wedding customs based on “three golds” (gold necklaces, gold earrings, gold rings) are still reserved. Jade with gold ornaments is also a traditional wedding jewellery in many areas, taking the meaning of "golden jade full house".

National wedding jewelry culture

Indian gold-covered bride

The wedding has always been one of the oldest cultural traditions in India. The brides of the good-natured auspicious day must paint gorgeous flower patterns, wear red sari and wear traditional gold jewelry. In a religious ceremony blessed by a newcomer, the groom wears a wedding ring on the bride's toes. The gold on the bride is regarded as the main dowry of the wedding. The bride who wears more gold jewellery will get more attention in the husband's family. The most dowry of the woman is called “waiting for gold”, that is, when she is married, Wear gold jewelry of the same weight as the bride was born.

National wedding jewelry culture

Tie-dye is a modern term invented in the mid-1960s in the United States (but recorded in writing in an earlier form in 1941 as "tied-and-dyed", and 1909 as "tied and dyed" by Luis C. Changsut, referenced below)[1] for a set of ancient resist-dyeing techniques, and for the products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment and binding with string or rubber bands, followed by application of dye(s).[2] The manipulations of the fabric prior to the application of dye are called resists, as they partially or completely prevent the applied dye from coloring the fabric. More sophisticated tie-dyes involve additional steps, including an initial application of dye prior to the resist, multiple sequential dye and resist steps, and the use of other types of resists (stitching, stencils) and discharge.

Unlike regular resist-dyeing techniques, tie-dye is characterized by the use of bright, saturated primary colors and bold patterns. These patterns, including the spiral, mandala, and peace sign, and the use of multiple bold colors, have become cliched since the peak popularity of tie-dye in the 1960s and 1970s. The vast majority of currently produced tie-dyes use these designs, and many are mass-produced for wholesale distribution. However, a new interest in more 'sophisticated' tie-dye is emerging in the fashion industry, characterized by simple motifs, monochromatic color schemes, and a focus on fashionable garments and fabrics other than cotton.[3] A few artists[4][5][6] continue to pursue tie-dye as an art form rather than a commodity.

Tie-dye

Tie-dye

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